Tuesday 25 November 2008

The Italian occupation and the Libyan resistance

The Italian occupation and the Libyan resistance

In October 1911 the Italian fleet invaded Libya and the Libyans resisted the invaders with whatever little weapons they could get. The Italians first concentrated their attack on the coastal cities, Tripoli, Benghazi, Misurata and Derna. Major battles were fought in Al-Hani near Tripoli (October 23, 1911) , Ar-Rmaila near Misurata, Al-Fwaihat near Benghazi (March 1912) and Wadi Ash-Shwaer near Derna. Other battles took place on the coast and in other cities, villages, mountains and desert. One of the major battles was Al-Gherthabiya near Sirt (April 1915) where the Italians lost thousands of their soldiers.

Although the Italians succeeded in controlling most of Libya after years of resistance and struggle (Jihad), they could not control the whole country because the Libyan fighters (Mojahideen) left their homes and headed for the mountains where they planned their attacks against the Italian armies.

Some of the major Libyan fighters (Mojahideen) against the Italians were Omar Al-Mukhtar [see photo on the right] , Ramadan As-Swaihli, Mohammad Farhat Az-Zawi, Al-Fadeel Bo-Omar, Sulaiman Al-Barouni and Silima An-Nailiah to name a few. Omar Al-Mukhtar is considered the great symbol for the Libyan resistance (Jihad) against the Italian occupation. He reorganized the Mojahideen in the Green Mountain (Aj-Jabal Al-Akhdar) North East Libya and he re-ignited the resistance against Italy after World War I when the Italians thought that they succeeded in silencing the Libyan resistance.

Feeling that they may lose Libya to the Mojahideen, the Italian authorities sent one of their bloodiest high ranking officers Badolio who used the most inhuman measures to end the resistance. He did not just lead the fight against Omar Al-Mukhtar and his comrades, but he also punished even those who were living peacefully in the cities and villages accusing them of helping the Mojahideen.

Badolio was not the only one whom the Italian government thought able to end the Libyan resistance through using the most inhumane and bloodiest measures. Mussolini, the infamous Italian dictator, sent another high ranking officer to kill thousands and thousands of innocent Libyans, young and old. fighters and non-fighters. Mussolini thought that the solution to the Libyan problem was Rodolfo Grasiani and by sending him to lead the fight against the Libyans he was telling his cabinet that anything and everything must be done to control Libya. Grasiani agreed to go to Libya if and only if Mussolini let him do the job without any consideration or respect for rules and laws in Italy or in the World and Mussolini agreed immediately. Before coming to Libya, Grasiani went to Morj, Switzerland where he enjoyed a vacation in which he planned his murderous attack on the Libyans, all Libyans according to Mussolini's Motto "If you are not with me, you are against me !" which means the only way to control the country is by killing almost half of its population and the Italians did cause the death of half of Libya's men, women, elderly and children, directly through public hangings and shootings and indirectly (hunger, illness and horror) for the sake of one thing: showing the world that they have the power to invade and capture colonies just like the other powers in the world.

Grasiani's plan was: First to isolate Libya completely and prevent any direct or indirect contact between the Mojahideen and their neighbours who supply the Libyan Mojahideen with weapons and information. Grasiani built a wired wall 300 Kilometers long, 2 meters high and 3 meters wide from Bardiyat Slaiman port North Libya to Al-Jaghboub South East Libya.

The second part of the plan was to built concentration camps where thousands of Libyans must live under complete control of the Italian army. Grasiani built concentration camps in: Al-Aghaila, Al-Maghroun, Solouq and Al-Abiyar to name a few. By the end of November 1929 all Libyans who lived in tents in Al-Jabal Al-Akhdar, Mortaf-Aat Al-Thahir from Beneena North to Ash-Shlaithemiya South, from Tawkera to the southern desert of Balt Abdel-Hafeeth and all the members of any tribe that had one or more of its sons fighting with Mojahideen, all those and more, thousands and thousands of Libyans were forced to leave their land and live in one of the concentration camps mentioned above.

Life in the camps was miserable and thousands of Libyans died of hunger, illness and some of them were hanged or shot because they were believed to be helping the Mojahideen. In 1933, the Italian Army Health Department Chairman, Dr. Todesky wrote in his book (Cerinyca today):

"From May 1930 to September 1930 more than 80,000 Libyans were forced to leave their land and live in concentration camps. They were taken 300 at a time watched by soldiers to make sure that the Libyans go directly to the concentration camps. " Dr. Todesky continued " By the end of 1930 all Libyans who lived in tents were forced to go and live in the camps. 55% of the Libyans died in the camps."

The Libyan historian Mahmoud Ali At-Taeb said in an interview with the Libyan magazine Ash-Shoura (October 1979) that in November 1930 there were at least seventeen funerals a day in the camps due to hunger, illness and depression.

When some world newspapers talked about the inhumane life in the concentration camps in Libya, the Italian army started giving the Libyans some dry barley (22 Kilo-grams per person per month !) which was too little too late.

Outside the camps, in the mountains, the Mojahideen continued to fight the Italian occupation, but by the year 1931 the Mojahideen were out of food, out of information and out of ammunitions. The leader of the Mojahideen, Omar Al-Mukhtar, was ill couple of times and many of his comrades asked him to retire and leave the country. He was 80 years old. But he refused and kept fighting and he deserved a name given to him as "The Lion of the Desert."

On September 16, 1931 the Italians hanged Omar Al-Mukhtar in the city of Solouq and they forced the Libyans to watch their hero being hanged. No consideration to Omar Al-Mukhtar's old age, no consideration to international law and no consideration to world war treaties. But, remember that the Italians caused the death of half of Libya's population and killing Omar Al-Mukhtar to the Italians was ending the Libyan resistance which to them means finally taking control of the country after 20 years of struggle.

Libya was under the Italian occupation till 1943 when Italy was defeated in World War II and Libya came under the Allies armies occupation till December 24, 1951 when Libya achieved its independence after years and years of occupation.
http://www.milligazette.com/Archives/15122001/1512200105.htm

Pianta di Tripoli

Pianta di Tripoli
Istituto Geografico de Agostini
Novara, Italy
[1930?]



Click on image to see enlargement

Call number: G8264.T7 1930 .I5 Case D

View verso (Title & photographs)

Return to Earth Sciences & Map Library's Home Page

http://www.lib.berkeley.edu/EART/maps/tripoli.html

Libya (1937-1943)

Libya (1937-1943)

The Italian occupation in Libya started in 1911 and lasted until the Second World War, even if it was often fought by the local population.

You can find the history of Italian plates in Libya used until 1936 in the page about the Italian East Africa: to cut a long story short at the beginning there were the plates of Servizio Militare with a leading T (Tripolitania), as you can see in the first picture; later, from the end of 1920s to 1935, plates similar to the Italian, with white digits on black, with the words TRIPOLI (Tripolitania) or CNA (Cirenaica, CNAICA according to the "Manuale del Turismo" of 1934 of Touring Club Italiano) were in use and you can see one of them in the second picture.

In 1937 the two colonies of Tripolitania and Cirenaica were joined together, also for the new way called "Litoranea Libica" that ran from one to the other, in the new colony called Libya:the new plates were exactly like Italian plates, but with the print "Libia X", where X showed the origin of the plate, according to the table below (pictures number 3 and 4: front and rear from Tripoli). These plates had a special official seal that was different from the Italian one: click here to see a picture (thanks to who sent it to me).

  • T Tripoli
  • B Bengasi
  • D Derna
  • M Misurata
Servizio Militare
Picture 1: 1913-1930(?) - Servizio Militare
Tripoli
Picture 2: 1930(?)-1935 - Tripoli
Plate from Libya
Picture 3: 1937-1943 - Libia (front)
Plate from Libya
Picture 4: 1937-1943 - Libya (rear)

wrote me that between 1939 and 1940 there were probably some more plates that were very similar to Italian plates of that time. They had the following codes: TL for Tripoli, BE for Bengasi, DE for Derna and MU for Misurata. So far I haven't found anything else about all this plates and for this reason I'm not even sure that they were issued.
Moreover there was probably one more plate with the code HO that was for the town of Hun (in many cases that same town is names Hon), the administrative center of the "Military Territory of the Southern Libya". Anyway told me that according to the guide of Touring Club of that time the road to Hun was completed in 1939 and so it's strange that the plates were issued before the road was available, but they could be issued for the first time in that year. Moreover on the Royal Decree of April the 3rd, 1937, it's written that "for the autovehicles in the southern territory will be used plates according to the rules of the General Governor", so it's likely that special plates were issued of that region, though I don't know anything else about them.

There were also some special plates issued for the vehicles of the government, as shown in the picture number 5: these plaes had the print "Libia Gov." followed by a serial number. Anyway, at the present time I don't know when (the picture was taken in 1938) and for which kind of vehicles they started being issued. In the web site you can also find the full picture I took the detail of the plate from, looking in the old photo gallery (picture number 30).

Libia Gov
Picture 5: Government

Regio Corpo Truppe: in 1914 two different corps were created, one in Tripolitania and the other in Cirenaica, named "Regio Corpo Truppe Libiche". At the beginning, as said, they were independent and each of them had its own vehicles, but later, in 1935, they were joined together. The pictures number 6 and 7 show the plates of this corps: the first of them has got the letters RCTL (Regio Corpo Truppe Libiche) followed by a number and the second has got the letters RCTC (Regio Corpo Truppe Coloniali). At the present time I don't know much about both these plates, if the two corps had different plates before the union or which of them was issued before and which later. suggested that it's likely that the letters RCTL were used until 1937 to distinguish the corps from similar corps created in Eritrea and Somalia. Later, in 1937 these last two were canceled and so the letters RCTC could be used, without any doubt.

Regio Corpo Truppe Libiche
Picture 6: Regio Corpo Truppe Libiche
Regio Corpo Truppe Libiche
Picture 7: Regio Corpo Truppe Coloniali

Carabinieri: also Carabinieri worked in Libya and they had their own special vehicles. I don't know much about them, but I found two images (pictures number 8 and 9), though the quality is very poor, of motorcycles with the plates with the letters CC.RR. on the first line, followed by the full name of the town on the second line (the pictures show Tripoli and Bengasi, but it's likely that there were also other towns) and then the number with the symbol of fascio. If you are interested, you can find the full picture I took the plate of Bengasi from in the old photo gallery (picture number 29).

CC.RR. in Libya CC.RR. in Libya
Pictures 8 and 9: Carabinieri (Tripoli and Bengasi)

I want to thank so much for the first picture, for the second that was taken from the magazine "L'auto italiana" of May the 5th 1939, for the third, taken from the book "L'Italia è piccola?" by Francesco Ogliari, and for the last four images. The picture number 4 is taken from the book "A century of plates" and the picture number 5 is taken from the book "Le fuoristrada Fiat" written by .


http://www.targheitaliane.it/index.html?/italy/colonie/libia.html

Friday 21 November 2008

Cooking the Perfect Couscous

Cooking the Perfect Couscous

Articles and Photos by Victor Paul Borg
Food Market in Tripoli, Libya. ©Victor Borg

The first time I asked Hassan Sahnoon, my driver, if I could watch his wife cook he nodded absent-mindedly. The second time, the next day, he said he would go to arrange it right then. An hour later he called me to tell me he had found two old women who could dress in yesteryear’s Berber costumes and cook yesteryear’s classical Berber meal. They wanted $150 for the privilege of showing me the preparation of food people no longer ate. “But I want to research the food that Libyans eat today,” I told Hassan. “Why can’t I pay your wife instead, and watch her cook?”

"My wife doesn't know how to cook," he replied.

I was in the old town of Ghadamis in the Sahara Desert at the time, and I turned to my guide who had overheard the conversation. “How about paying your wife to watch her cook?”

"My wife is busy and has no time to cook," he said.

I was mystified by the evasiveness. Then Hassan invited me for dinner at his house, and when we arrived he herded me into the living room and closed the door. That’s when it occurred to me that my earlier requests had been impertinent and brazen: there was no way a Libyan man, given Libya’s conservative interpretation of Islam, could allow another man in the kitchen with his wife or daughter or mother.

So Hassan proceeded to the kitchen and brought a tray of food his wife had prepared to the living room – a small space decorated with green flower-patterned sofa, dull green carpet, and an old-fashioned brownish cabinet. The tray held truffles and vegetables and bread. It was the first time I had truffles; we had bought them a day earlier at a roadside stall in the desert, a kilo for $25. The truffles grow wild in the parts of the desert where the terrain is dominated by gravel and thin soil, a flat lifeless land where the only features on the landscape are a scattering of dark robed men intensely scanning the ground for the cracked welt that indicate the presence of truffles. “They are delicious baked in sand, and accompanied with garlic, onion, cumin and fish,” Hassan told me. We had ours, that evening, sautéed in hararat - a Libyan mix of five spices.

Ghadamis, Hassan’s hometown, is in Libya’s Berber heartland where cooking in sand is popular. The concept is to burn charcoal in the sand; this heats the sand, and then food is wrapped in tin foil, buried in the hot sand, and baked in that manner for an hour and a half. The next day Hassan took me to a Berber tent in the desert for a dinner of tea and bread. The bread, called Hobza Ilmella, is a flat round bread shaped like a loop; it is kneaded with black aniseed, sesame seeds, and fennel seeds, and baked in the hot sand for thirty minutes. Then it is eaten with green tea; starting with a thick brew of green tea and roasted peanuts, then eating chunks of bread (dense inside, crunchy crust), and finishing the meal with another brew of green tea spiced with the leaves of fresh mint.

Elsewhere throughout my one-month road-trip in Libya – covering 3,875km, and seeing less than half of the massive country – the food I experienced is a hybrid of Middle Eastern, North African, and Italian cuisines. Lunches were almost always out of the car, by the roadside, and consisted mostly of bread and canned fish, and sometimes cold rice salad whose only innovation was pickled broad beans (broad beans boiled in water, olive oil, garlic, salt and pepper, then pickled in olive oil). Dinners are standard three-course meals throughout Libya: a soup (Xarba Arbija), salad (mostly of tomatoes, onions, and cucumber in olive oil and lemon juice), and couscous (kusksu). For variety the soup is sometimes substituted by spaghetti or macaroni – always overcooked – and couscous is substituted by grilled or fried meat served with chips, or couscous can be swapped with rice. I didn’t mind having soup and couscous every dinner: both are excellent, and the sauce for couscous has an infinite number of variations.

Only in good restaurants in Tripoli did I find a greater variety of Libyan food. Among the ones I liked there were the tagen (a bake of mince-meat, eggs, and potatoes), mubattan (potatoes stuffed with a sauce of mincemeat and then deep fried), and various types of stuffed vegetables, tomatoes or zucchini or green peppers, stuffed with rice and mincemeat sauce. I wanted to watch these dishes being prepared, and my first attempts led nowhere – I would speak to restaurant owners, agree a time with the chef and owner when business was slow, especially during the afternoon siesta; then I would turn up at the agreed time and they would not be there. (This is characteristic in Libya, and all foreigners I spoke to fume about it – Libyans regularly fail to turn up for meetings.)

Classical Libyan food. ©Victor Borg

In the end the chef at the Corinthia’s Bab Africa agreed to show me how those foods were done. The Corinthia is Libya’s only true five-star hotel, and it’s making a killing with business guests – the hotel is consistently busy, and the lobby buzzes with activity throughout the day. The food is excellent at its La Vallette restaurant, and at Fez, the flagship Moroccan restaurant, there was a queue of hopeful diners on a Saturday evening. I was invited to Fez by the PR Manager, a bright single Libyan woman, and when I arrived I also found the Room Manager, a Tunisian man, who would be joining us. I was mystified: what did the Room Manager have to do with my research about food? Then it occurred to me, once again, that it wouldn’t be wise for a Libyan woman to be seen alone with a man in a public place. So she had to contrive a tripartite business dinner, and the Tunisian man sat silent all throughout while the PR Manager and I discussed Libya’s slow trajectory to modern development.

The Perfect Couscous

You can never get perfectly-cooked – in fluffy grains – if you follow the cooking instructions found on the packets of couscous. Getting couscous cooked right is a long, double process, and the Libyans have perfected the technique. To start with, sprinkle some salt and pepper, and drizzle of olive oil, into the raw couscous, then mix thoroughly by hand. Then place in a pot and add boiling water to about a third of the depth of the couscous layer (it is better to err on the low side than on the high side; a little extra water will make the grains clump together). Cover the lid and let stand for 15 minutes; the water would be absorbed and the grains half-cooked.

For the sauce, use one of the double pots that have a fitting sieve on top (or improvise by placing a metal sieve in a normal pot, and then cover the whole with the lid). Once the sauce starts simmering, place the couscous in the sieve, insert into the pot, cover, and let simmer for at least an hour; this way the sauce and couscous cook together in the same double-tiered pot. The couscous will continue cooking by the steam arising from the simmering sauce; additionally, the couscous grains would also take the flavor of the sauce.

Lamb Couscous. ©Victor Borg

Restaurants

There are only a few outstanding restaurants for Libyan food in Tripoli. The best I have found are the restaurants at the Corinthia Bab Africa (Souk Al Thulatha Al Gadim, Tripoli; tel: 021-3351917; www.corinthiatripoli.com). La Vallette is the buffet-style restaurant that serves food all day; Fez, the Moroccan restaurant, is open for dinners, and it gets so busy that booking is essential. Another good restaurant, very popular with Libyans, is called Borma ( Omar Makthar Street, Tripoli; 0927174630); it’s open daily 10am-midnight.

Recipes

As a spice, the Libyans use a five-in-one spice mixture called hararat - it's not found for sale outside Libya. As a substitute, I used my own mixture that worked well: curry powder, turmeric, cumin, and coriander. In the recipes below, the ingredient named Spice Mixture refers to this improvised mixture; you can experiment with your own mixture.

Couscous Sauce (Kusksu)

You can use a variety of meats, or fish, in a couscous sauce – for the sauce below, I assume the use of beef. You have to chop the meat, pumpkin, carrot, and potatoes in large chunks – one chunk per serving – to prevent overcooking.

Servings: 4 people

1 large onion, sliced in half sideways, then sliced in thin slices crosswise
3 cloves garlic, finely chopped
2 large potatoes, peeled and halved
2 carrots, halved
250 grams red pumpkin, cut in four chunks
300 grams beef, cut in four chunks
150 grams chickpeas (soaked overnight)
Bay leaf
1 teaspoon Chili powder
2 tablespoons Spice Mixture
5 tablespoons tomato paste 5
5 tablespoons tomato pulp
1 tablespoon sugar
1 cube beef stock

Fry onion and garlic until soft; add meat and sauté until discolored. Add potato, carrot, some of the chili powder and Spice Mixture, sauté a little more. Add tomato paste and pumpkin and sauté another minute. Add bay leaf, water (enough to cover all), chickpeas, rest of Spice Mixture, sugar, beef stock, and bring to boil, cover, and simmer for 1 hour or until cooked and the sauce is thick.

Cook the couscous grains as described above. To serve, put the couscous in a large bowl, ladle the sauce on top, and let the diners have their own servings.

Libyan Soup (Xarba Arbija)

Servings: 4 people:

1 large onion, finely chopped
2 large cloves garlic, finely chopped
150 grams beef cubed in inch-squares
200 grams chickpeas (cooked)
150 grams red lentils
1 small potato, cubed (optional)
¼ carrot, in thin half-slices
5 spoonfuls tomato paste
Sugar (about half-tablespoon)
Spice Mixture, about 2 tablespoons
1 teaspoon chili powder
½ teaspoon dried ground mint
1 cube beef stock

Fry onions and garlic until onion is soft and glistening. Then add beef, some chili, a little of the spice mixture, and sauté until meat discolors. Add potato, carrot, tomato paste, sugar, salt, more chili and the rest of the spice mixture, and continue sautéing for a minute or less. Add stock, water, red lentils, and bring to boil, then cover and simmer for 45 minutes. Add the cooked chickpeas, and let simmer another 15 minutes. In the last minute add the mint. Then serve with lemon wedges to be squeezed into the soup after serving.

Tagen (Meat and Potato Bake)

This is a bit bland on its own as a full-on meal; have it for breakfast, or a quick lunchtime snack, or as an accompaniment to another dish.

Servings: 4

Two large potatoes, peeled and sliced in one-inch-thick slices
100 grams minced beef
1 small onion, finely chopped
1 clove garlic, finely chopped
Sprinkle of chili powder
Sprinkle of curry powder
Two eggs beaten
40 grams grated mozzarella

Boil the potato in water until cooked, then in a bowl crush it roughly – leaving it in chunks – with a fork.

In a separate pan, fry onion and garlic until soft. Add mincemeat, and sauté until almost cooked; mix in the chili and curry powder. Once this meat mixture cools, add to the bowl; then add the beaten eggs and mix.

Pour the mixture in an oven dish, and bake for 20 minutes at a temperature of 175 celsius. Take it out of the oven, spread the mozzarella on top, and bake for another 15 minutes until the mozzarella is brown.

Stuffed Vegetables

You can stuff green peppers, tomatoes, and zucchini using the same process – best results are achieved with zucchini. Serve the zucchini as a starter, or a part of another dish.

Servings: 4

Eight short zucchini
Half a cup of rice
1 cube beef stock
150 grams beef mince
2 tablespoons chopped fresh coriander leaves
1 small onion, finely chopped
40 grams grated mozzarella
Sprinkle of curry powder
Sprinkle of chili powder

Cook the rice until almost cooked; set aside.

In a pan fry the onion until soft, then add the minced beef, curry powder and chili powder and sauté for a minute, mixing well.

Mix the rice, meat mixture, mozzarella and coriander. Place this mixture in hollowed-out zucchini. Melt the stock in a cup of boiling water; pour the stock in an oven dish, place the zucchini in the dish, then cover with tin foil.

Bake in the over for 30 minutes at 150 celsius heat.

Stuffed vegetables . ©Victor Borg

صور تذكاريه من ليبيا الحبيبه 1956-1935 الرجاء الضغط على كل صوره لرؤيتها بوضوح


صور تذكاريه
من ليبيا الحبيبه 1935-1956

بسـم الله الرحمن الرحيم


والصلاة والسلام على اشرف خلق الله


نبينا محمد وعلى اله وصحبه ومن والاه

السلام عليكم ورحمة الله وبركاته

الرجاء الضغط على كل صوره لرؤيتها بوضوح :


Tripoli, Libya, October 18, 1955:
Three Libyan children hitch a ride on a pedal-driven vehicle on the streets of Tripoli



Libya, October, 1955:
Libyans young and old splash along a flooded street in a village near Wheelus Field, the U.S. military facility in Tripoli




Local Taxi Oct 1953 - June 1956


The Arab Camel Oct 1953 - June 1956


Libyan troops


Libyan troops


منقول من: عـبدو الليبي

Libya: Our Home

Thursday 20 November 2008

MOVIES: The Lion in the Desert


The Lion in the Desert is the only movie I've come across set in and filmed in Libya. It stars Anthony Quinn as Omar Mukhtar, the leader of the Libyan resistance against the Italian occupation from 1911 to 1931.

(A side note: the director was Syrian Moustapha Akkad, whose only previous movie, The Messenger about the Prophet Mohammed also starred Anthony Quinn. However, subsequently, he changed themes, and was the Executive Producer for all the Halloween 'slasher" movies. He and his daughter were killed in the hotel bombing of the Hyatt hotel in Amman, Jordan in November, 2005)

A Yank in Libya (1942)
The artwork has to convince you to see this! (click for larger image). The All Movie Guide says it is "distinguished by some of the oldest, grainiest stock footage ever seen in a mid-1940's film. Otherwise, it "isn't too bad". Set in a "papier-mache facsimile of Libya".

(NEW: Nov/06) I ordered the DVD, and have watched it. It is "unique". The reason for the poor, grainy stock is it's a movie that occasionally re-uses old footage from other unrelated movies to save money. It just adds to the (perverse) enjoyment!

In the Country of Men

In the Country of Men

Susannah Tarbush Al_Hayat - 22/08/06//

When the Libyan writer Hisham Matar delivered the manuscript of his first novel "In the Country of Men" to his literary agent in London on a Friday, the agent warned him that he was unlikely to hear for two or three weeks whether any publisher was interested in the book.

But by the following Tuesday a fierce bidding war had broken out between several British publishers to acquire the rights to the book. Viking, an imprint of Penguin Books, won the auction and awarded Matar a deal for two books. Viking published the book in July and it has had generally excellent reviews.

"In the Country of Men" is a moving and deeply humane novel, beautifully written in a style that is poetic and economical. On its cover the South African novelist J M Coetzee, winner of the Nobel Prize for Literature, describes it as "a poignant story of a child exposed too early to the brutalities of Libyan politics."

The novel vividly recreates the Libyan capital Tripoli in summer 1979. The nine-year old narrator Suleiman tries to make sense of the bewildering political and family events around him. His father is involved in an underground movement linked to university students whose slogan is "we are not against the revolution, we are against the extremes of the revolution." The movement is ruthlessly crushed, and Suleiman gets drawn into various betrayals.

It is not only in Britain that the novel created much excitement among publishers and in the book trade. Before publication in Britain, the rights to publication had been sold in 14 countries. In the US, the novel will be published by the Dial Press, a division of Random House, in January 2007.

Although the novel does not yet have an Arabic publisher, a translation into Arabic is being carried out by the Iraqi short story writer and literary critic Luay Abdulilah. Matar says that of all the translations of his novel, the Arabic one is "without a doubt the most important one to me."

He hopes that the Arabic translation will be read in Libya "not for any political reason but to share it with people" who have lived in the sort of environment he depicts.

One reason for the intense interest in the novel is that it takes the reader into a time and place previously unknown in fiction written in English. Matar is an urgent, fresh voice from the generation of Libyans that was born after the 1969 revolution.

Before publication, Viking compared the book to "The Kite Runner", the enormously successful first novel by Afghan-American novelist Khaled Hossseini. But despite some similarities between the two novels, there are significant differences (see BOX).

Matar was born in 1970 in New York, where his father Jaballah Hamed Matar was a UN diplomat. He grew up in Libya, but in 1979 his family fled the country because his father's name was on a list of people wanted for interrogation. In March 1990, while Matar was at school in England, his father was abducted in Cairo and taken back to Libya.

The family received an audio cassette and a few letters from Jaballah, which were smuggled out of prison in Libya, but since 1995 they have heard nothing and do not even know if he is alive or dead.

These agonising details of Matar's own life, and the fact that nine-year old Suleiman is the same age Matar was when he left Libya, have led some to speculate that his novel is autobiographical. But Matar denies this. "I think that a writer's work and the writer are really two separate fields, " he says.

As for politics, he says: "I don't see myself as a political writer at all." He adds: "My work doesn't express my opinions about my personal political beliefs. When I sit down and write, I don't sit down to prove something."

The novel conveys the texture of life in a society where "walls have ears," where informing on your fellow citizens is "the national sport", and where informers and mukhabarat are known as "antennae".

Cars full of men from Revolutionary Committees follow people and lurk outside their houses, and a "third person" often listens in on telephone conversations. Among the family's neighbours is Ustath Jaber, "a man of the Mokhabarat, 'able to put people behind the sun' as I had heard it said many times."

Suleiman is an only child, and is often alone and in his own world. But despite the difficulties of his life, and his frequent traumas and uncertainties, he is a boy capable of joy and of exhilaration. He has a sense of fun and amusingly describes various characters and his father's different business ventures. (On one occasion Baba's open truck returns from Sweden loaded with dark moist trees, and on another full of cows from Scotland).

Suleiman's father's best friend is his next door neighbour Ustath Rashid, a gentle professor of art history at El-Fateh University. Ustath Rashid's son Kareem is Suleiman's best friend, despite being three years older.

Ustath Rashid is seized from home by Revolutionary Committee men. In a particularly harrowing scene, Suleiman witnesses on television Ustath Rashid undergoing a trial by a revolutionary court in the National Basketball Stadium, and then being executed by hanging while crowds cheer wildly and chant revolutionary slogans.

Matar explores with subtlety and sensitivity the complex relationships between mother, father and son. Baba is a distant figure who frequently travels on business. When he is at home he immerses himself in his newspapers and books.

The boy yearns for affection from his father. "The time I felt closest to him was when he was unaware of my presence: watching him spread his library of neckties on the bed, for example, humming an unfamiliar tune." While his father is on the run from Revolutionary Committee men, Suleiman is puzzled and angry when his mother and an Egyptian friend of the family burn Baba's beloved books.

Suleiman's relationship with his unhappy mother is full of the secrets she confides to him. In her husband's absence she drinks the "medicine" she obtains from the baker, and becomes "ill". The medicine is of course illicit alcohol. In her bouts of drunkenness she tells Suleiman of the "black day" on which she was forced to marry his father.

The "High Council" of the men in his mother's family had forced her to marry his father, a stranger, at the age of only 14 after one of her brothers saw her and another girl drinking cappuccinos in the Italian Coffee House with two boys. She gave birth to Suleiman when she was only 15. Suleiman often dreams of saving his mother.

Suleiman recalls: "Nothing angered Mother more than the Story of Scheherazade. I had always though Scheherazade a brave woman who had gained her freedom through inventing tales and often, in moments of great fear, recalled her example." But his mother tells him he should find himself another model. "Scheherazade was a coward who accepted slavery over death."

He says of his feelings for his mother: "There was anger, there was pity, even the dark warm embrace of hate, but always love and always the joy that surrounds the beginning of love."

In the final 17 pages of the 245-page novel there is an abrupt change of tempo. Up to this point the narrative has been "real time" with events happening moment by moment. In the final section the adult Suleiman, now 24, reflects on his life in Egypt since his parents sent him there 15 years earlier. The longing he still feels for his country is not a narrow nationalism. "Nationalism is as thin as a thread, perhaps that's why many feel it must be anxiously guarded."

On the surface he has adapted well to living in exile, but "Egypt has not replaced Libya. Instead, there is this void, this emptiness I am trying to get at like someone frightened of the dark searching for a match to strike."

Suleiman also discloses what has happened to his parents and the people he knew in Tripoli. Those who stayed on in Libya have had to make some kind of accommodation with the regime to survive. Suleiman does not condemn them but views them with understanding. Matar says: "I think this is the best thing that literature can do, make us understand people that seem on the face of it very different from us."

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Before its publication in Britain, "In the Country of Men" was compared by its publisher Viking to "The Kite Runner", the best-selling novel by the Afghan-American medical doctor Khaled Hosseini. "The Kite Runner" has sold more than 3 million copies worldwide and is now being made into a film by Steven Spielberg's Dreamworks studio. In 2005 it was the third best-selling book in the US with sales of 1.34 million copies. Over 3 million copies have been sold worldwide.

Given the massive success of "The Kite Runner" it is easy to understand why a publisher would want to identify "the next Kite Runner". There are some similarities between Matar and Hosseini and their novels. Both are first novels by authors from countries that have been through a great deal of political turmoil, and both authors have long lived in exile, Matar in London and Hosseini in California.

Hossein's novel has been described as the first novel by an Afghan written in English, and Matar's novel is said to be first novel by a Libyan written and published in English. The narrators of both novels have distant fathers, and in both an adult first-person narrator living in exile looks back on their childhoods and on significant betrayals.

The central character of "The Kite Runner" is Amir, son of a wealthy Pathan widower in Kabul. His childhood companion and servant is Hassan, son of his father's servant Ali. Hassan is a Hazara Shi'a, persecuted by other boys.

The title of Hosseini's novel comes from the kite flying competition held every year in Kabul at the beginning of winter. Hassan is a brilliant "kite runner" who chases fallen kites to keep them as trophies. Amir is victorious in the kite flying competition in 1975, but on the same day he inflicts a first terrible betrayal on the loyal Hassan. Unable to bear this first betrayal, he inflicts a further devastating betrayal that means he never sees Hassan again.

After the Soviet invasion of Afghanistan, Amir and his father manage to escape in 1980 to the US where Amir eventually becomes a novelist. Then in 2001 Amir is given the opportunity to return to Afghanistan, and to try to redeem himself for his betrayal of his childhood friend.

Hosseini is an engaging writer, but more of conventional, traditional storyteller than Matar, with his characters more recognisably "good" and "evil". Matar draws his characters in more varied shades of colour. There is a more obvious quest for redemption in "The Kite Runner" than there is in "In the Country of Men"

Matar, who wrote poetry for a long time before embarking on fiction writing, is keen to explore language and push its boundaries. He writes a more suggestive prose, whereas Hossein has a habit of explaining too much to the reader and of repeating the messages of the narrative. The narrative of "The Kite Runner" depends on a number of far-fetched coincidences, and it is over-sentimental. But it is a powerful book, and is probably destined for further success as a film. .

Original English

CONVOY IN TRIPOLITANIA DESERT

CONVOY IN TRIPOLITANIA DESERT

Chapter 3

ON TO TRIPOLI

The leading units of the Eighth Army are now about 200 miles from Tripoli.
. . . THE EIGHTH ARMY IS GOING TO TRIPOLI.

Tripoli is the only town in the Italian Empire overseas still remaining in their possession. Therefore we will take it from them ... ON TO TRIPOLI!

GENERAL MONTGOMERY'S dispatch to the troops,
12 January, 1943

EARLY MORN WADI ZEM ZEM

WE RACED to Tripoli --- the symbol of all Libya --- with the 22nd Armoured Brigade, commanded by General Montgomery. Our objective was to take it in ten days after starting operations. As the center axis of two flanking thrusts, the 51st Highland Division along the coast and on our left the 7th Armoured and 2nd New Zealand Divisions, we traveled across the wadis like participants in the Oklahoma land rush. We were fired with the enthusiasm of the coming battle and a race to see who would enter the city first.

And as we moved we saw the end of Mussolini's dream of colonization on a large scale in Libya. Of its two provinces, the eastern, Cyrenaica, contained the main towns of Bardia, Tobruck, Derna, and Benghazi and the western, Tripolitania, the towns of Sirte, Buerat, Misurata, Homs, and Tripoli. Ten years before Il Duce had sent out land-hungry Italian farmers, builders, and families. Their little white villages with small yards were built alike. Two box-type plaster houses with a connecting roman arch bore identification numbers and the words "Ente Collinazation Libia." Boldly scrawled on the outside walls by the retreating enemy were such bombastic slogans as "Vive Il Duce! Believe, Obey, Fight," or the black swastika.

By strip-cropping, the Italians had cultivated the fields and planted orchards. Rows of young cypress and alder trees lined the road and the short driveways that led to the farmhouses. They had worked hard, prospered, and gained wealth which they never could have acquired in their homeland. The maintenance of a secure future depended on peace, but the silent houses testified that Mussolini had denied them that by war. He had robbed them of their homes, taken their savings for taxes, and conscripted their reluctant sons, who were handier at gardening than at fighting, into the army.

Historically this fertile belt along the Mediterranean coast line was once the granary and vineyard of Caesar's Rome. The Greeks colonized it and built the five cities of Pentapolis. The Vandals, Goths, and Moslems overran the Greek and Roman centers and the Sahara added its sands. Ruins were still in evidence. Amphitheaters, statues, and mosaic murals in temples are hidden in the rising rock-strewn plateau covered by camel thorn and gnawed by wadis. Many a soldier explored this, and those with an esthetic streak scrounged a memento or two.

In 1911 the Italians chased the Turks from Libya, and after World War I the tyrannical Marshal Rodolfo Graziani slaughtered the Senusi Bedouin tribes by the tens of thousands in Italy's "pacification" of Libya, then ruled it with an iron hand.

I got to know the Senusi Bedouins quite well. My Arabic did wonders for me, not only in my bartering with them, getting information as to the location of the enemy and when he had last been in the place we had just reached, but in building up good will for the Allies and straightening out disputes which arose with the natives. I found from Syria to Tunisia that the language varies slightly in pronunciation and word usage. In Lebanon and Syria, Arabic is spoken with a soft g sound while in Egypt the g is hard and guttural. Moving westward into the desert, the g is still hard but gradually gets softer. The Arabs were baffled by my accent and asked, "Are you from Egypt, Syria, Iraq?" When I told them America, they just wouldn't believe me. They insisted that I came from whatever place they named. In towns I was besieged by Jews mistaking me for a Palestinian. In this foreign intrigue, it was indeed a privilege to be just an average American.

All along the line I met Arabs who would ask, "Have you seen my brother [or some other relative]? He was forced into the Italian army by bayonet point." Or, "He went to Benghazi with the Jerries, and when the British came escaped or joined up with them." These were the Senusi people. I had seen a few such soldiers along the line but didn't know whether they were prisoners or Allies. I soon learned that those poor Arabs who refused to fight for the Italians were shot, hanged, or bayoneted. Occasionally I heard of a few who dribbled back to their villages or camp after we had occupied Italian territory. Those with whom I spoke had hated the Axis. Their food had been bad and they had been put in front on many of the assaults. I was surprised to learn that 123,000 were forced into the army by sheiks who were in Italian pay. The families they had left behind were starving. Whatever good livestock or crops they had were taken by the Ities and Jerries. Their food rations were nil. They actually were existing on dates and what few eggs the chickens laid; as they said, "If the hens have something to eat, we have eggs." They had no tea, sugar, or flour. Meat was found only in villages where they had managed to hide their stock of goats and sheep when the Axis troops retreated.

Unlike the enemy, which took what it wanted, the British bartered for eggs and lamb with tea, sugar, or biscuits. A handful of tea brought from three to ten eggs; a liter or more of tea, a baby lamb. With tea or sugar you could get anything. One pack of hardtack biscuits brought two eggs, but the Tommies had spoiled their trade by accepting one egg for one biscuit. Of course, the Long Range Desert Group was far ahead of the army and had to scrounge for its food; when they had ample supplies, they bartered.

While attached to the 22nd Armoured Brigade, we stopped at an oasis village not far from Homs. It was a beautiful spot, quite like descriptions in the Bible. Our water supply was low, and the important thing was to find out if the wells here were sweet and not salted. I tried to purchase several lambs and eggs for the unit. Sheep were running all over the village but the meat was too tough. Baby lambs were not to be found. Eggs were plentiful. Tom Smith and I took a five-gallon Jerry tin and accompanied one Hassan Ibm Muftah Chinarri who told me the water was good and sweet. Tom and I didn't care if it was poisonous; we just wanted enough of the liquid to take a good bath. I hadn't had one in over a month.

The well was situated in an orchard of date palms. It was the typical well of Biblical days. There was a goatskin bucket and a long trench runway. You dropped the bucket into the well until it was filled with water, and then raced down the runway trench pulling on the rope to bring up the filled goatskin. Just to stand near the well and try to pull the rope hand over hand was a tiring and strenuous job. Running down the trench was easier but also tiring as the length of the rope was a good hundred feet. At some other wells, cattle were used for drawing up the water. Hassan and another fellow from the village filled our tins and carried them back to our vehicles, three hundred yards away. They just wouldn't let us do the work. Later the water was tested and found to be good and sweet but we added a small amount of chlorine, for one doesn't take chances with typhoid.

TRIPOLITANIA DESERT

I got to know Hassan quite well during our few days' stay near his village. He gave me all the information I desired. The Jerries had been at the oasis the morning of the day we arrived. The Arabs existed on nothing but dates, which he graciously gave us and made sure they were clean. One never saw Moslem women here. He went on to tell me that they actually buried their women in the ground for fear of the soldiers. I asked him about native food specialties and he beamed when he described those they had had before the war, but now mafeesh-she (nothing).

Whenever they had complaints, they would run to me, hoping I could straighten them out with the officers. For instance, after the water had been pronounced safe the Tommies started to drive to the well over some newly plowed fields of lima beans and onions. Of course, they meant well and tried to stay on one track leading into the oasis but usually would miss and turn the cars around in the plowed area. As their crop was the Arabs' livelihood, I took their complaint to the colonel. He immediately posted a sign stating that since we had made a track into the village we would remain on it when going for water or be disciplined accordingly.

ARABS IN WADI EL KEBERE

I liked the Senusi people and extravagantly gave them my only pound of tea for a dozen eggs. My generosity brought results. I was given dates, peppers, a little olive oil, and Hassan brought me some sort of meat loaf cooked in red pepper sauce. I did not want to offend him and accepted it, but I didn't like it at all. Smithy did, however, and ate most of it himself, except for a few slices I mixed with M & V. Not being acclimated to the food, one has to be careful not to come down with Gypo-tummy. Smithy didn't care, and received no ill effects except a blistered tongue from the hot sauce.

It was here that I met Fatah, a strong good-looking boy of ten with big brown eyes. I did two paintings of him, one with his smaller brother, Mansoor, who had an older person's facial features but lacked the vivacious personality that Fatah generated all over the camp. Mansoor had a way of tucking his arms into his tunic, and at first I had the impression that he was armless. It wasn't until I offered them both biscuits that the hidden hands and arms emerged to accept the food.

Fatah and I got to be pals. He followed me around like a shadow. He helped me wash and clean my mess tins in the sand. He took a delight in my shaving. When it came time to brush my teeth I offered him some of the toothpaste to clean his teeth which were quite stained; he tried it and at first couldn't stand the peculiar hot feeling of the soap and spit it out. He then became bolder and asked me for some more which I squeezed out for him. He aped my brush strokes with his forefinger. Although tears were in his eyes, the broadest smile was on his face. Tom Smith and "Boo Boo" Reynolds, who shared an ambulance together, and I were in stitches over his antics. Boo Boo was so taken by Fatah that he wrote a wonderful letter about him to his little niece back in Hartford in which I did a small pen drawing of Fatah.

One windless sunny day while I was sketching from the back of the ambulance, Fatah and Smith were pitching stones. At Fatah's suggestion they set up a can target at least a hundred feet away. Fatah had a wonderful marksman's eye and knocked the can several times, whereas Smithy, who was a husky, healthy fellow of twenty-one, couldn't even touch it. Smithy remarked that Fatah had a wonderful swing and would make an expert ball player. Boo Boo and I watched the stone pitching with delight. Then Smithy started tossing stones directly overhead to see how high he could throw. Fatah followed suit and threw them just as high and sometimes higher. He started a barrage by throwing five or six stones to Smithy's one, straight up into the air, so that they fell right on top of the two of them. Tom couldn't stand this ack-ack fire so he ran to the ambulance and put his steel helmet on and returned to challenge Fatah. It was hilarious to watch the competition. Smithy threw his arm out while Fatah kept on going strong.

Although Fatah didn't speak English, he understood we liked him. I spoke Arabic with him and before we left I instilled a few English words in him which I hoped would be of value. He had a way of saying "No" that became contagious and we began doing it ourselves. He would smile, his eyes would sparkle, and he'd click his tongue against his teeth with a tsk-tsk sound and his head would nod slightly from side to side.

FATAH

Early one morning, it must have been 2 A.M., I was awakened by Junior Bachman who slept in a furrow between two small dunes while I slept inside the ambulance. He said there was someone to see me. It was Hassan and two Gordon Highlanders. A battalion of them had moved into the oasis in the early morning and had leaguered on the northern side of the well across from us. They were competing with our brigade and division to be first into Tripoli. Hassan immediately broke out in a scared voice, saying that these two soldiers were scrounging and would have taken his chickens if he hadn't pleaded with them to accompany him to see me and that I would straighten the situation out. He was nervous and frightened and couldn't believe the British were similar to the Italians in flashing knives for what they wanted. He promised that if these two soldiers would wait until morning he would give them all the eggs they desired free.

I was in a hell of a spot, for I had to appease them both, especially these Scots, infantry men of the group better known as the "Ladies from Hell." They were out to get what they wanted since they were front-line troops. I explained to Hassan the conditions of these troops whose food was rationed and who had to scrounge for what they could get; how they had been taken prisoners and the treatment they received; the selfishness of other Arabs who had stolen and cheated them; and finally their doubt about whether they would be alive the next day. They lived for the moment! He understood but said his people had been so frightened that they had not slept, and had tucked the women and children under the floors of their huts. They liked the English, they wanted to help them, but begged them to leave their livestock for that was all they had left. I informed him that this was another unit which was camped north of us on the other side of the village and that they didn't know the Senusi as we had learned to know them, and these other units compared them with Arabs who had taken advantage of them. I assured him that they meant no harm and would do no harm. Hassan felt better, thanked God for my little help, said good night and departed. I then explained to the two Highlanders the Arabs' lament, how they were hospitable and different from other wogs, how this sheik would be glad to give them all the eggs they needed and how the Senusi were existing on dates. The Highlanders informed me that they had meant no harm but were hungry after being on rations of just a tin of bully beef a day and no tea for weeks. Junior was now fully awake, and I suggested a brew-up and he seconded the motion.

We invited the Highlanders into the ambulance and blacked it out. They were a Mutt and Jeff combination and just as funny. We could understand the brogue of the tall one, called Jock, but the other, Chaur, had us baffled most of the time.

Their tams leaned rakishly over their sandy-red freckled Scottish faces, and their bruised stubby knees showed the wear of the terrain. To them all other soldiers were secondary. This was a war between them and Jerry. They were self-righteous individuals and without a doubt among the fiercest and most valiant fighters, especially with cold steel. As we talked, I kept remembering the spine-tingling wail of the bagpipes which played every sundown in the desert, as well as the chilling battle marches with accompanying drums when the Highland Division charged with bayonets and were practically wiped out. Jock and Chaur were browned off, for they had subsisted on short rations of nothing but cold bully beef and hardtack biscuits for three weeks, so they had finally come to the point of scrounging food. We remedied that on short order. We had a banquet!

Junior went over to Al Bowron's and Spike Himmel's car and borrowed their primus and we cooked M & V, brewed tea, and had a tin of Dole's pineapple slices. We swapped stories over our early-morning meal. We discovered Chaur had been captured and escaped, and Jock was a machine gunner. The snack broke up at four-thirty in the morning.

"TANK IN TRIPOLITANIA DESERT"

Chapter 4

TRIPOLI CAPTURED

Today 23 January exactly three months after we began the Battle of Egypt the Eighth Army has captured Tripoli .... The achievement is probably without parallel in history .... I congratulate the whole army. It could not have been done unless every soldier had pulled his full weight all the time. I congratulate the whole Army and send my personal thanks to each of you for the wonderful support you have given me. . .

. . . There is much work still in front of us. But I know you are ready for any task that you may be called upon to carry out.

GENERAL MONTGOMERY'S dispatch to the troops,
23 January, 1943

"PLANES---TRIPOLIANIAN DESERT"

ON THE twenty-third of January, we of the 7th Armoured Division lost the race to Tripoli by a few hours to the armored cars of the Cherry Pickers, the 11th Hussars, who were closely followed by a battalion of Gordon Highlanders. Junior and I wondered whether Wee Wee, Jock, and Chaur had got in on the much-talked-of occasion.

The capital of the last of Mussolini's remaining colonies had fallen and Rommel was still retreating to the Tunisian border with the Desert Rats on his tail. The task of these men was not yet done. Desert victory was merely a steppingstone toward heralded African battles yet to be fought.

The Kids raced against each other toward the city, but the real race was for the wine and food to be procured there. We almost lost each other driving in the deception of the moonlight. Its magic erased the dirt and shrapnel scars of war from the desert villages --- it was like driving through suburbs at home; but with daylight we were brought back to the reality of where we were. On the coast road everybody seemed to be going to a fire. As we moved we sang the Marine Hymn.

We camped on the outskirts of the city before being allowed to visit the capital. And who should strut in but Wee Wee with his tale of the fall, elated at having been the first American into Tripoli.

He related how at 4:30 on a cold morning, three months to the day after the 8th Army attack on El Alamein, its units approached in silence the city of Tripoli. It had been a bitter 1400 miles, but now the kilo post read "Tripoli 23." The civilian population was asleep or too scared to venture out into the streets. Ahead of the ambulances were a half dozen armored cars. They entered the Piazza Italia unopposed and turned into the Piazza Castello. The city seemed deserted except for the new occupants who had a brew-up along the palm-lined waterfront. The harbor was full of sunken and bombed ships. An hour later the Highlanders arrived, having fought their way along the coast road. A tank regiment with the Scots aboard the turrets roared its way in. On the lead tank stood a piper playing a cheerful tune. Daylight came, and with it civilians appeared nervously from buildings of white, pink, and blue. All of them were pockmarked from shrapnel. Arabs curiously sized up the conquerors, and somebody hoisted a Union Jack on the flagpole. Many men of the 11th Hussars had been with Wavell and were suspicious of the taste of victory which had so often bitterly eluded them. The whole regiment's footsteps echoed in the city --- they had been the first into Tobruck, the first into Benghazi, and now the first into Tripoli.

The gang was together again for the first time since we congregated over cards in a lonely blacked-out ambulance. We hurried into the city and had a few drinks of vino in celebration, and then descended upon a horse-drawn carriage with an Italian driver and demanded the keys to the city. We mellowed gradually as we toured around in the open carriage. When we pulled up into the main square, the Piazza Castello, we learned of the coming visit of Winston Churchill. We stopped at the Grand Hotel, where in the height of jubilation one of us stood on his head and saluted a passing British officer.

There was little to do in town for everything was closed and the only excitement we had was to get inebriated. Tripoli had been emptied of foodstuffs, crops, flour, and operating machinery by the retreating enemy. The natives were left to shift for themselves or wait until we could tide them over until their next harvest.

When we got into town the bargaining was ideal --a handful of tea brought a dozen eggs. Bowron managed to find six bottles of champagne. But things began to change as the whole 8th Army poured in. Since the push they had had practically no place to spend a cent. Rolling in British occupation currency, and hungry for food and souvenirs, they made prices soar. No matter what price the natives asked, some Tommy would pay it, and as a result a flourishing black market sprang up. Eggs began retailing at a shilling apiece --- approximately twenty cents. Thousands of soldiers were packed in streets of tiny shops that had nothing to sell.

The natives spoke French, Arabic, Italian, and German. We bartered with them in English pounds and shillings, Egyptian ackers or piasters, and Italian lire. In all transactions we translated the various currencies into dollars to get an idea of what we were getting into, whether we were being cheated or not. The Christmas wallets came in handy after all. The city itself slowly awakened. Military law and business curfew reigned while we were there, but soon were replaced by civil authority.

Before leaving the city, I bought the first issue of the Tripoli Times, the city's newspaper, the only memento of my visit that I have kept through the years.

On a Sunday morning three thousand men of the 8th Army removed the dust and grime of many campaigns from their battle dress and gathered in the Piazza Castello before their commanders to praise God and to remember their comrades who had fallen in battle. Here Churchill spoke the sentence that meant more to them than the Victoria Cross. "When after the war is over a man is asked what he did, it will be enough for him to say I marched with the Eighth Army."

After spending two and a half days in Tripoli our unit was pulled out five days before Churchill's arrival and housed in fairly intact Italian military barracks up in the mountains in a town called Garian. We repaired our vehicles there, and I cooked some macaroni for the gang. This macaroni was one for the books. It was so hard that I soaked it for a day and practically cooked it to death for another day on a primus stove before it softened enough to be eaten. Doctoring it with spices, we ate the hot dish as a diversion from the usual rations.

While the barracks were being cleaned to serve as a rest camp for our brigade, I found a huge room that was to be used as a recreation hall. Its bare white walls were a temptation to doodle --- especially for me. Being a muralist and having time on my hands, I decided to do some large-scale doodling. I found some paint left by the Italians who hadn't been considerate enough to leave anything but yellow and blue. In our own workshops I found a can of army brown.

I had previously done pinup-girl murals on board ship, under the bunks and on cabin doors (these in good taste). On the coast near Sirte were some intact Italian houses. In one of these, used as an Italian officers' quarters, where we had stayed for a night or two, I had done some murals which caused quite a commotion among the women-starved men. The one opposite the door depicted three luscious nudes, one reclining, one facing the door, and one whose back was turned. The third one held a baby over her shoulder who pointed an accusing finger at whoever entered. Unfortunately we had left before one of the boys could take pictures for my record.

For the recreation room at Garian, I decided upon a super-duper nude encompassing the entire wall, 30 x 15 feet. Usually when a muralist works he uses a scale pattern of a small sketch or a photograph of the sketch projected onto the wall. He carefully traces this, insuring his proportions. In this case I had neither the time to make this sketch nor the means of projecting it. And to top it all - no scaffolding. I managed to get up by means of boxes, but this meant that my nose was rarely more than six inches away from the wall. Starting from the head, I worked down to the feet on this beautiful virgin wall. To this day I don't know how I kept the figure in proportion. When I stood back to inspect the completed figure, I found that the top outline of her body ironically coincided with the coastal line of North Africa. I marked her off as the Middle East from Tripoli (Lebanon) to Tripoli (Libya) and named parts of her body for nonexistent wadis: Wadi you hiding? Wadi you doing? Wadi you say? Wadi you know? Superimposed on her from Syria to Tunis were Lilliputian figures of the units, men, and doings of the 8th Army. Somewhere near the midriff is a blown-out German tank with the string of old boots tied behind and a caption on the back, "Just Married." Above her soared the RAF and American 9th Air Force whose eager men were parachuting onto her. Along with the confusion of armored cars, convoys, and slit-trench digging on her terrain was a key figure similar to the Kilroy of the U.S. Army. It was a little Tommy in a sitting position holding the inevitable stretched-out newspaper and shovel. He was among the parachutists, the infantry, the armored units, and even at chow call. Such was life in the desert.

LADY OF GARIAN MAP

The colonel of the brigade came in with Lieutenant James Uliman. At the colonel's request I designed the stage and backdrop for this room and attached roof tiles from a blown-out building to wooden panels for a proscenium. For the background I painted a surrealist desert scene dominated by two large snails, surrounded by sagebrush, crawling along the coast road which was spanned by Marble Arch, the halfway point between Alexandria and Tunis. On top of the arch flew the Union Jack. Out of the clouds came three planes bearing the American flag; the ruins of Cyrenica were in the distance. All objects cast long Daliesque shadows across the sand. I did two other scenes, one depicting a Tommy waking up in a slit trench, being waited upon by luscious nudes serving steak and potatoes. The other was a Tommy sitting under a grape arbor, surrounded by beautiful nudes bearing jugs of wine, the Bacchus of the desert! Lieutenant Ullman avidly took pictures of my painting and of the finished murals, being very meticulous about angles, light, and so forth. He promised me prints for my scrapbook. When I saw him later in Cairo and asked him about them, he shamefacedly admitted that he must have been desert-happy at the time, for he had forgotten to put film in the camera.

It took eight hours to paint the large mural, finally called the Lady of Garian, three hours apiece for the other two, and two hours for the background.

LADY OF GARIAN DETAILS

The colonel asked me to stay on at the rest camp as interpreter for the British authorities, but I wanted to be with the gang, do the job, and have greater opportunities to record the war. The griff now circulating among the men was that Rommel would either make a stand and fight at Medenine, a contemplated defense-position approach to the Mareth Line, or would retreat within this line of supposedly impregnable concrete pillbox defenses. Either way, a battle was coming up and I didn't want to miss it.

Leaving the Lady of Garian to those more in need of her, we moved out as a reconnaissance outfit into the melting days of the almost forgotten desert for Foum Tatahouine, the southern outpost of the Mareth Line.

Somewhere around here we were to establish an RAP, an ADS, and an MDS.

As we traveled southwest to a procedure point on the map, we were within range of and constantly eyed by Jerry's 88-millimeter guns which were hidden in the Atlas Mountains to our left. This versatile gun was quite accurately maneuverable and Jerry used it most effectively either as an anti-aircraft gun or an anti-tank gun or as an artillery weapon. Consequently we were in constant fear of a giant sniper's barrage.

En route we came upon some jeeps around which were clustered tall Arabs and urchins bartering for tea. When we pulled up alongside, the Arabs turned out to be a band of blond and red-bearded British desert guerrillas who wore the traditional headdress of the Bedouin. They were a group of the notorious LRDG (Long Range Desert Group). Beneath their breeze-blown robes, they were walking arsenals. Each sand-caked jeep carried two 50-caliber guns, mounted on metal frames over the windshields which were heavily smeared with oil and sand to cut down the glare and reflection to the enemy.

It was always the hope of one of us fire-eaters to go on a patrol with some of these men, but that was wishful thinking, for in their secret missions they worked alone behind enemy lines, sometimes hundreds of miles back.

The LRDG exploits became legendary and were more daring than anything fictional. There wasn't a man in the 8th Army who hadn't some tale to tell of their harassment of Rommel or of their attack on his headquarters in an effort to capture him. These raiding operations took a steady toll of their gallant men but they continuously crippled Rommel's supply column, raided his munition dumps and airfields, and swooping in the dark of night on unsuspecting enemy camps, left a trail of death and destruction behind them.

ON TO TUNISIA

For this work, they went through months of intensive training, iron discipline, tested courage, and developed the ability to use almost any kind or make of weapon. Added to this, they were masters of demolition charges, moving across country without making a noise, and of the superb poker ability to bluff in awkward situations.

One inside story demonstrates their split-second thinking. Two of them, creeping silently up on a heavily fortified enemy post, were discovered by a suspicious sentry who gave the alarm. Immediately a blinding searchlight beam caught them standing plunk in the middle of the surrounding barbed-wired entanglement of the outpost. In spite of their training to hit the dust and escape the beam, they turned without hesitation to the light and signaled, pointing urgently in another direction: "They went thata way!" The bluff worked; the light shifted long enough for them to steal away into the night like a couple of Arabs without their tents.

Our chance meeting on the desert with the guerrilla group was rare in a battle area. It was short and full of inquiries and not conducive to sketching. It was one of those times when our MDS of the 14th LFA was ahead of itself and its brigade and a month ahead of Montgomery's flanking movement at the Mareth Line. Also up in the surrounding Atlas Mountains Jerry's 88 mm's were looking down on us.

Although I never did paint any LRDG men, I managed to sketch their counterpart, the armored patrols who operated in a more orthodox military fashion and with whom we were often-times attached, the 11th Hussars (the Cherry Pickers) of the 7th Armoured Brigade. Known as the British Bedouins, they carried out patrols which rivaled in audacity, courage, and physical stamina the exploits of the mysterious LRDG.

Encased in the armor of their vehicles, these skillful navigators demonstrated the advanced technique they employed on patrols. They drove blind, steered by radio, in the vast wastes of the desert sixty miles behind enemy lines, going for long periods of time without water. Not even when ammunition and gasoline were brought to them every day did they ever lose their mobility and freedom of action. They roamed the desert releasing British prisoners, wrecking tanks and vehicles, and forcing Rommel to withdraw valuable troops to protect his lines of communication. They were called the "Desert Rats" and answered proudly to the name. Today the wind and sand swirl over many of their graves, but their tradition has never died.

When Wee Wee signed over his ambulance to me, I streamlined it for further efficiency of maintenance and for my needs. This enabled me to have the opportunity of painting without interfering with evacuation duties. A rack installed on the inside, which did not interfere with patients, carried my kit, canteen, and primus stove. As a nonunion electrician I put a light switch on the interior ceiling of the car. Handier than the dashboard switch, it was convenient for quick blackouts and operations performed on RAP duty. It was also good for poker playing. I carried a collapsible table, used for card sessions, writing, and painting, attached to the petrol-tin rack on the outside. With this setup, I was ready, willing, and able for anything.

SUN RAYS TUNISIA

There was method in Wee Wee's madness of wanting the freedom afforded a spare driver. After his exciting sojourn with the Desert Bedouins, he always volunteered when a Recce (reconnaissance) assignment came up. Several times he left me to live a lone Bedouin existence with an ADS until he was replaced by transient spare drivers.

Wee Wee moved in with me after Junior went back to Egypt for a much-needed rest. With Wee Wee came his rolling farm of two hens which he kept in a whiskey crate filled with straw. He ingeniously fastened on a canvas top from a scrounged Itie knapsack and called it his Patent Poultry Pen.

We attached the mobile farmyard to the front bumper of the car and drove along the desert terrain as carefully as we did with wounded. One hen was black and silver. We called her Cleo, short for Cleopatra. The other was a redhead dubbed Fathouma. Their cackling was pleasing at times for it broke the deathly silence of the vast wastes, but occasionally they overdid it and I was for having a chicken dinner. Wee Wee kept an eye on me, for once before when he had his own ambulance he had proudly owned two roosters which he had guarded carefully but somehow, somewhere, they had disappeared. Someone quietly scrounged them one night around Christmastime. He still suspected the AFS cooks but couldn't prove anything.

14 LFA NIGHT LEAGUER

We fed the chickens crushed hardtack biscuits and during the day when we were not on duty we let them loose to scrounge for themselves. They pecked all around the ambulance and like pets rarely strayed away.

Every morning for days we looked for eggs in the coop but none were to be found. The day did come when, corralling the chicks for a hurried duty call, Wee Wee and I discovered we were fathers --- Fathouma had laid an egg beneath the ambulance and we were fortunate in discovering it before we pulled out. It turned out that both chickens had been depositing eggs all over the desert; we had just been looking for them in the wrong place. Each morning thereafter, like caddies looking for golf balls, we hunted for eggs.

Whenever we received a hurried call for duty or a move to our next point, we had a hell of a time corralling the chickens. Usually Wee Wee had to climb on top of the ambulance and grab. After many days of trial and error, we devised a scheme as good as a Texas roundup system. As I opened the doors to the back of the ambulance Wee Wee chased the chickens in and I locked up the whole family. Patients lying in the back often said they thought they heard something that sounded like chickens cackling. When they were informed that they heard right, they lost the fear that something was wrong with them mentally. There were always questions about when we were going to eat our hens and why we were carrying them through miles and miles of desert. Our reply was --- for the day we met up with the Americans and the 1st Army and then ---good old southern-fried chicken.

Back in Egypt at the breakout, it had been a scrounger's paradise with wreckage extending for miles. Tunisia, as we entered it, was clean virgin country with no signs of war except a few deserted Arab huts. Being a scrounge addict, Wee Wee went off on a lone safari when we leaguered en route to our movement point. He returned with a porous Arab water jug which he had found in a deserted hut. He also returned with fleas and lice.

We were wearing winter battle dress, a heavy woolen olive drab with brass buttons. The latter had a habit of coming off at the wrong time and continuously --- no matter how strongly and well you sewed them on. Many a night I spent doing nothing but sewing buttons on both pants and tunic. The uniform was comfortable, warm, but itchy. The itchiness was irritating, but now with lice we scratched away until we had the opportunity to fumigate the ambulance and soak ourselves in raw petrol. We eliminated the pests and also Wee Wee's scrounging addiction.

CONVOY IN SANDSTORM 1

In convoy, while we plowed through a sandstorm, Wee Wee took over the wheel and gave me the opportunity while the light lasted to paint various phases of the storm on the move. We were entering enemy territory where the LRDG's had just made a reconnaissance. They had reported to Montgomery, giving him valuable information for his plan for the battle of the Mareth Line. We had the strange feeling that the eyes of 88 mm's were looking down on us from the Matmata Mountains on our left. We were never really scared when we were actually being shelled, bombed, or machine gunned, for we were too busy working, and then too you weren't alone, for no matter where you looked you saw other units and men close by. Now we were alone, going toward a spot where a month later the New Zealand Division with some 27,000 men and 200 tanks were to overcome the difficult terrain and enemy action by outflanking the Mareth Line to Hamma. As a lone moving brigade, with the thought of Jerry surrounding us, we became more uneasy the farther we penetrated his territory. The khamseen camouflaged us from the enemy but its intensity hid us from each other as well, and it was a job for Wee Wee to keep the ambulance ahead of us in sight.

Once we of the 4th Light Armoured Brigade crossed the border, the enemy resistance stiffened with rear-guard action and our light advance forces were hampered by the weather and rough going. The gruff came in about Jerry's activity in the Mareth Line. The 7th Armoured Division took the first main outpost of the line, Ben Gardane, and we were one of the forward units on the move to the important road centers of Medenine and Foum Tatahouine.

While Rommel was strongly attacking with his panzers in southern Tunisia, Montgomery was bringing up his supplies, reinforcements, and air wings to the Medenine positions. General Leclerc and his French force made a remarkable drive across the desert from Lake Chad to the battle zone.

We stopped in the middle of the khamseen for a brew-up and the rumors flew around in the midst of the sandblasting wind. They were usually misleading, contradictory, speculatory, and wrong. Word came to us of the first American defeat somewhere southwest of us in the mountains at Faid Kasserine Pass. The early news of the casualties of our fellow countrymen staggered us and struck the whole gang speechless. We experienced inexplicable tug, hurt, and we-want-to-be-there feeling.

Rommel had launched an attack against the Americans around Gafsa and the Yanks withdrew toward Tebessa. The enemy penetration was threatening to outflank the Allied positions in the north and the situation looked grave.

CONVOY IN SANDSTORM 2

Later, when the accurate statistics of the defeat and of the retaking of the objectives came over the Tiggy wireless, we perked up and became our old selves again.

The men of the 8th Army had a limited knowledge, at the time, of the Anglo-American forces in southern Tunisia. They knew nothing of the number of American troops or how they were thinly spread out along their mountainous line of combat. They knew that the American army, although green in combat, was the best equipped and best fed of the Allied forces. They were anxious to meet and join hands with them but were more interested in beating them to the punch and rubbing out the Afrika Korps.

Our convoy, because of its size, moved slowly across the unknown terrain against the wind of sand. At one point, the visibility was so bad I stopped painting and we opened the oil- and sand-covered windshield. The sand and dust came at us with a driving force which surpassed any blizzard I had ever encountered in New England. Fog, mist, and sleet were treacherous for driving but this peppering of sand in all directions from one bit of desolation to another was damn-all. Nevertheless, we withstood the open-window sand blasting for a while for the sake of visibility.

The Arab was right, for the khamseen could stop anything and drive anyone to insanity. Yet these natives weathered such storms, although how they kept going so long was a mystery none of us could fathom. You saw them wending their way through the khamseen across mine fields and it made you shudder.

You saw them living among the absolute ruins of villages, and some came from nowhere passing through the convoy camp site. En route we came across one dead beside his blown-up camel. They had both hit a mine.

When the fury of the storm shifted away from in front of us, we closed the windshield. I started to paint again in the sandstorm, protected by the windows of the ambulance. It was an exciting mental stimulus which eliminated the strain of the storm's impact and the boring time of passing through it.

Sketching during the campaign and reporting what I saw was so challenging and so engrossing that during lulls of inactivity I lost all sense of time. I had many problems besides that of executing the work. One day I received permission to leave our campsite to go over to sketch a Bofore gun team who were lolling about in the Tunisian sun. I took a bearing on a mountain and walked a mile to get to them. In the midst of painting the weather changed and a small dust storm kicked up, raising havoc with paint and paper. I stopped work briefly for a brew-up and a chat with the Tommies until the wind died down. They were the No. 2 Detachment "B" Troop of the Royal Army Ack-Ack Battery. Just as I had resumed painting, the aircraft warning sounded and Messerschmidts came over. The crew were at their stations manning the gun in a matter of seconds. I dropped the sketch book, grabbed my steel helmet, and kept out of the way while the gun fired away. The suspense and tension were indescribable, for these guns were always the targets of Jerry, and to get them out of the way he resorted to bombing and low-level strafing. I was frightened out of my wits, but the crew were joking as they fired. One plane was downed and the RAF soon appeared and circled overhead. Trying to look nonchalant, I got back to painting, and concentrating on my subjects, I felt the terror I had known a few minutes before go out of me.

CONVOY IN SANDSTORM 3

Although we had another air alert, I finished the painting and did a bonus picture for myself for sticking around the gun during all the air activity that was going on. It was a portrait of Sergeant in Command Cyril Owen, the only survivor of this gun's original crew.

The gun itself certainly had had an interesting history, a taste of which I got that afternoon. It had seen service in France, during Wavell's Push, in the siege of Tobruck, and in the entire Western Desert campaign. Its crew was wiped out three times, once by shell fire, once by bombing, and once by machine-gun fire. Once when the gun was disabled and the crew casualties, Sergeant Owen moved the wounded back and pulled the gun away from a burning ammunition lorry. At the time I did the picture, which had a suède finish from the dust storm, he was up for a military medal. He was truly a Desert Rat.

It had got dark by the time I returned to the outfit and with the darkness I had lost my bearings and found myself wandering around among a bunch of tanks. The excitement of the afternoon had subsided and now I feared the German night patrols, which had been frequenting our units, coming down from the hills, taking prisoners, and dynamiting a vehicle or two. However, a tank man gave me instructions as to where the 14th LFA was, and I located Wee Wee by the cackling of Cleo and Fathouma.

CONVOY IN SANDSTORM 4

Subject matter came to me in several different ways, such as the time I picked up a forced-down South African pilot, Lieutenant Eric Newby from Johannesburg. He was on duty bombing Gabes when his Kitty Hawk engine cut out over the German lines. He managed to glide down near us and belly-flopped his plane. It was most important for him to report his whereabouts to his air base within twenty-four hours for otherwise he would have been declared missing.

As night was approaching Wee Wee and I sped the lieutenant by ambulance to the airfield. Upon arrival we discovered nothing but an empty field surrounded by ack-ack crews. The planes and their crews had moved elsewhere due to the shelling from the German 88 mm's in the mountains. A Bofore crew informed us where the new field was located, and we took off in the dark and found it.

When we arrived we found this field also empty and surrounded by ack-ack guns. This was the right field, however, and we learned from one of the gunners that the planes of our pilot's wing had not yet arrived but would be along in the morning. I parked the Dodge in a small oasis at the edge of the field which was surrounded by plenty of Bofores. Although they served as protection, they were also prime targets for Jerry's 88's lodged up in the hills. On the primus I cooked some macaroni and other stuff I had bartered along the line, and we had a feed topped off with a can of peaches. Newby posed for me and I got a nice story for the caption to the painting. All through the night we anticipated a shelling of some sort which never came. At dawn the planes of his squadron flew in and our guest departed.

By doing a picture of some sort every day I started to hit my stride in the true water-color medium, the old French method of painting aquarelles --- that is, abstaining from the use of opaques. The most interesting were the operation scenes done in two-hour sittings. My recording was done with the team of Lieutenant Colonel Clifford Evans who was in command of the 14th LFA, and RAMC Surgeon Captain Samuel Vincent who became so enthralled watching me paint that he took up the art. Later when I returned to the States I sent him painting equipment for his tour of duty in Germany.

The surgical wonders he performed under adverse conditions were fabulous. On a busy day he would do as many as fourteen or fifteen operations, taking anywhere from a half hour to two hours apiece, and then with two or three hours of sleep, get up and resume his work in the operating theater. He had a wonderful Irish sense of humor and occasionally after working all day or night he would look up and make a remark that would make everybody laugh and relieve the tension. Other times when planes came in too low and close to the tent he'd swear good-naturedly and keep on operating.

His mobile surgical room was always ready to be moved at a moment's notice. This room was nothing but a tarpaulin slung from the back of a three-ton lorry and suitably propped up with metal struts to make enough lightproof space to perform an operation. Vincent worked all hours, but mostly at night as the brigade was usually on the move during the day.

As I painted scenes of this operating room I tried to keep out of the way, but assisted now and then by handing equipment which fell within my reach.

I also once tried to sketch a formation of attacking Folke-Wolfs in the very midst of actual close fire and bombing. My calculations said that a direct hit on this human ant were slim. Knowing it was nigh impossible, I gave it a try, if only to prove to myself whether or not the American magazines' fantastic war paintings "executed under fire" were grossly exaggerated or true. Perhaps some artists could stay out in the open and paint, impervious to bombs and bullets. As for myself, I can convey only a post mortem impression of myself dropping everything and running across open ground to dive into a slit trench next to the ambulance.

A sense of both reality and unreality surrounded me; I was assailed with nightmarish sounds as though I were caught inside a belfry gone berserk. At the same time it seemed that the haunting eyes of ravens called Folke-Wolfs stared down at me as they dropped their eggs and intoned, "Nevermore."

I wasn't scared, I was petrified. I peeked out of my trench to survey the results of the few bombs that had dropped near by, and spotted Wee Wee beneath the ambulance with the chickens who were clucking away. It was the first and last time I tried to paint such a scene. Self-preservation comes first.

CONVOY IN SANDSTORM 5

Chapter Five
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